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On Saturday and Sunday, June 28–29, 2025, the courtyard of the Holy Trinity Parish of the Ukrainian Orthodox Church of the USA on State Road, 9672, will be filled with the aromas of freshly baked pierogis, the sounds of folk melodies, and the warmth of the Ukrainian soul. The annual Ukrainian Festival, known as "Pierogi Fest," returns to North Royalton, offering not only culinary masterpieces but also a powerful testimony to the resilience of the Ukrainian diaspora in Ohio. Against the backdrop of the ongoing war in Ukraine and the economic revival of Cleveland, this festival is more than just a cultural celebration — it is an anthem of solidarity, faith, and the unbreakable spirit of a community preserving traditions thousands of kilometers from their homeland.A Taste of Ukraine in the Heart of OhioLocated in the suburbs of Cleveland, the Holy Trinity Parish, which belongs to the Ukrainian Orthodox Church of the USA under the omophorion of the Ecumenical Patriarchate, is a spiritual center for the Ukrainian community of Cuyahoga County. The festival, which attracts up to 10,000 visitors annually, according to the United Ukrainian Organizations of Ohio, transforms the church courtyard into a lively cultural hub. Visitors can taste pierogis with fillings ranging from traditional potato and cheese to exotic cherry and blueberry, which, according to organizers, are a rare feature among Ukrainian festivals. “It’s not just food,” says Maria Kovalchuk, a parish volunteer who has been preparing pierogis for the festival for 15 years. “Each pierogi is a small story about our culture, our struggle, and our joy.”The culinary offerings are not limited to pierogis. Guests will enjoy cabbage rolls, borscht, and varenyky prepared according to recipes passed down through generations. The grill pavilion will offer sausages and shashlik, and the tent with baked goods from the Ukrainian Cultural Association of Ohio will feature honey cakes and cottage cheese pancakes. Wine tastings from local winemakers Little Italy Wines will add to the festive mood, and children will have rides and attractions, including a climbing wall and pysanky (Easter egg decorating) workshops, which, according to organizers, raised $4,000 in 2024 for humanitarian aid to Ukraine.Cultural Mosaic and Spiritual UnityThe festival is not only a gastronomic celebration but also a cultural extravaganza. Following the signing by President Zelensky in August 2024 of a law banning the activities of the Moscow Patriarchate of the Ukrainian Orthodox Church, the Holy Trinity Parish, which is under the jurisdiction of the Ecumenical Patriarchate, has become a symbol of spiritual independence. Volunteers will sell embroidered shirts (vyshyvankas) and blue-yellow ribbons, and all proceeds from the auction, where two embroidered costumes will be raffled, will go to humanitarian aid for refugees from Eastern Ukraine via the UOC USA mission. “We are not just celebrating,” says Nataliya Orishkevych, vice president of the United Ukrainian Organizations of Ohio. “We are showing that Ukraine is alive in our hearts.”Context and ChallengesThe festival takes place at a time when Cleveland is experiencing a cultural and economic revival. Just a month before the event, Cleveland Hopkins International Airport celebrated its 100th anniversary with a display of World War II aircraft, and next door in Brook Park, construction of the new Cleveland Browns stadium is underway. However, the region is not immune to challenges: the recent plane crash in Houlton and FBI warnings about Scattered Spider cyberattacks on the aviation industry serve as reminders of community vulnerability. The festival organizers, working with local authorities, have strengthened security measures, including cybersecurity checks for ticketing platforms.The Holy Trinity Parish, founded in the 1950s by Ukrainian immigrants fleeing the Soviet regime, remains a spiritual center. With 89 parishes and 14,971 faithful as of 2020, according to U.S. Religion Census, the UOC USA continues to grow, offering services in Ukrainian and English to unite newly arrived immigrants and diaspora descendants. The 2014 festival included a memorial for those killed during the Maidan protests, and this year will honor Ukrainian defenders who died in the war with a moment of silence at 1:00 PM on Sunday.A Community UnitedFor local residents like Anna Bilan, who attends the festival every year with her three children, it’s an opportunity “to touch Ukraine.” “My children were born in Ohio, but here they feel Ukrainian,” she says, holding a plate of pierogis. For others, like John Kravchuk, whose ancestors arrived in Cleveland in the 1920s, the festival is a chance to pass traditions to the next generation. Free parking near Michael Wight School and public transportation access make the event accessible to all, though organizers recommend arriving early due to limited space.While Cleveland prepares for another cultural summer—from opera at the Italian Garden to festivals in Parma—"Pierogi Fest" in North Royalton stands out for its heartfelt warmth. In a world where digital threats and geopolitical shocks challenge communities, this festival is a reminder of the power of unity. June 28–29, the Holy Trinity Parish will become not only a place of celebration but also a beacon of hope, where pierogis, songs, and prayers blend into a whole, reminding the world that Ukraine is not just a place on the map but a spirit living in our hearts.

AKRON, Ohio — While cities across America are seeking ways to unite communities after years of division, Akron, Ohio, is betting on the universal language of music and celebration. This summer, the city, known for its industrial history and resilient spirit, invites residents and visitors to a series of free concerts in parks running through August 14. These concerts, accompanied by festivals celebrating the city’s 200th anniversary, promise not only live music but also games, entertainment, and a sense of unity so much needed in our times.The series, which began with the first festival on June 9th in Hardesty Park, has already faced Mother Nature’s whims: rain forced the cancellation of the opening. However, organizers remain optimistic, as dozens of performances are scheduled across different parts of the city — from Firestone Park to Summit Lake. Each concert, from 7:00 PM to 9:00 PM, is complemented by festival activities from 6:00 PM, including face painting, backyard games, and local delicacies. It’s more than just music — it’s an attempt for Akron to reimagine itself as a hub of culture and community.A schedule that reflects the city’s soulThis year’s concert schedule is impressive in its diversity: from Eric Everette Jazz improvisations to energetic Funkology, from Backstreet Blues Band’s bluesy chords to nostalgic 80’s Ladies melodies. Akron’s parks, from Shadyside to Triangle, will become stages for local talents such as Lil Eddy and the Boilermakers, as well as more well-known bands like The Silk Band. Each performance is not only a musical event but also a tribute to the city’s cultural diversity, celebrating its 200th anniversary.The anniversary festivals happening in the first and last weeks of the series add a special charm. They serve as the culmination of the celebrations, highlighting Akron’s historical role as an industrial center and its modern pursuit of innovation and community. According to insiders from the city hall, these events are part of a broader city strategy aimed at attracting young families and tourists seeking authentic cultural experiences.Weather as a challenge, but not an obstacleWeather, as evidenced by the canceled concert on June 9th, can be an unpredictable factor. Akron Parks and Recreation will promptly inform about any cancellations through its Facebook page, a common practice among residents. However, organizers assure that even rain cannot dampen the spirit of these events. “This is Akron,” said one coordinator who wished to remain anonymous. “We are used to challenges and know how to overcome them.”Why it mattersFor Akron, a city often overshadowed by larger neighbors like Cleveland, these concerts are more than just entertainment. They are part of a broader story of revival — of how communities can come together to celebrate their past and build their future. At a time when many cities are struggling economically, Akron uses music as a way to remind its residents of their shared identity.For those planning to attend, here are key dates and locations:Hardesty Park: From Eric Everette Jazz (June 30) to Time Machine Rock ‘n’ Roll (August 4).Firestone Park: Van Sailin’ (June 10) and Akron Big Band (July 15).Shadyside Park: 45RPM (June 11) and Magnificent Goat Brothers (June 25).Lawton Street CC: Red Rose Panic (June 26) and Jul Big Green (July 3).Triangle Park: One Fine Day (July 11) and Xcetera (August 1).Other locations: From Patterson Park to Summit Lake, every corner of the city will have its own musical story.Call to actionIf you love live music or simply want to experience Akron’s spirit, these concerts are the perfect opportunity. Bring a blanket, a few friends, and discover a city that sounds as vibrant as its history. Follow updates on the Akron Recreation and Parks Facebook page so as not to miss a single note due to weather whims. Akron awaits you — and its melodies are worth hearing.

PARMA, Ohio — In a city where pink flamingos have become more than just a symbol, the theft of another seven-foot statue sparked a wave of outrage and sadness. On Friday, June 6, 2025, a iconic statue dedicated to four-year-old Avi, the granddaughter of local resident Dennis Vasko who lives with nonverbal autism, disappeared from the intersection of Broadway Road and Snow Road. This crime, echoing a similar theft from last year, not only offended the community but also made Parma reconsider how to protect its symbols in an era when even charitable gestures become targets. While police promise to find those responsible and the city prepares a replacement, the flamingo story exposes deeper issues of civic pride and vulnerability.A Symbol That UnitesThe flamingos in Parma are more than decorative birds. Their history dates back to the 1960s, when plastic flamingos became a symbol of kitschy suburban charm. For Parma, a city with a population of 80,000, these statues became mascots embodying resilience and local identity. In 2020, the first metal statue appeared near the "Parma" sign in Anthony Zilenski Park, funded through donations in memory of breast cancer victims. In April 2025, two new statues—one a gift from Vasko for his granddaughter—were installed with hopes of strengthening this connection. “Ava loves flamingos,” Vasko told Parma News 5. “Her joy from them is what inspired me to donate $2,000.”But the joy was short-lived. On Friday, the statue on Broadway disappeared, leaving only an empty plinth and broken hearts. “It feels like a personal insult,” said Mayor Tim DeGitter. “This isn’t just metal, it’s a symbol for a child, for a family, for our city.” On X, users expressed anger: “Who steals a flamingo dedicated to a child with autism? Parma deserves better,” writes @ParmaPride.Déjà Vu of a TheftThe 2025 theft is not the first. In May 2024, another flamingo near the “Parma” sign was stolen by three young men—Taylor Paul Pupkevich, Marcus Anthony Boue, and David Ross Burak. The suspects, caught on camera, attempted to shove the statue into the trunk but left it damaged. All three pleaded guilty to vandalism, receiving 180 days of probation, fines of up to $5,000, and 5,000 hours of community service, including 2,500 hours supporting cancer-related organizations.This high-profile case prompted Parma to tighten statue protections, but as the recent theft shows, it was not enough. “We live in a world of cameras,” DeGitter noted. “Hiding an eight-foot flamingo is difficult.” Parma police, known for their efficiency, are already analyzing footage from cameras at the intersection and nearby businesses, hoping to quickly identify suspects.State representative Sean Brennan, who initially thought the news was a joke, expressed disappointment. “This isn’t a school prank,” he said. “Our police are forced to divert from serious crimes to look for flamingos. It’s a disgrace.” Brennan, a Democrat actively promoting local initiatives such as recognizing walleye as Ohio’s official fish, sees the theft as a challenge to community unity.Why Flamingos?The motive for the theft remains a mystery. Some speculate it was an prank by graduates, as June is graduation season. “It might be a stupid joke, but I no longer trust anyone,” Brennan admits. Others, like Vasko, suspect deliberate malice. “They did it to a child who can’t defend herself,” he said. “Return it, and we’ll forget about it.” The statue, valued at $500, has greater sentimental than material value, making the crime especially cynical.Local activists on X suggest that repeated thefts reflect a broader problem: a lack of respect for public property in suburbs where petty crimes, like recent robberies in Parma Heights, have become common. However, DeGitter dismisses pessimism, emphasizing community strength. “Parma is a city where people care about each other,” he explained. “We won’t let a few thieves overshadow our spirit.”Future PlansThe city is moving quickly. A spare flamingo statue, stored for emergencies, will be installed at the intersection by the end of the week. DeGitter also announced a surveillance camera directly above the new flamingo to prevent further thefts. “We’re learning from our mistakes,” he assured.The theft comes at an inopportune moment: in 2026, Parma will celebrate its 200th anniversary, and flamingos will be the central theme of the festivities. “It will be bright, shocking, Parma-style,” promises DeGitter, hinting at festivals, parades, and possibly new statues. Local businesses, like the recently opened Jimmy John’s on Broadway, are already preparing to join the celebration, hoping for an influx of tourists.Despite the disappointment, Vasko remains hopeful: “I want Ava to see her flamingo again,” he said. “I believe Parma police will do everything they can.” He urged the thieves to surrender, warning that delaying will only worsen their situation. “You have hurt the entire city. It’s not worth it.”Deeper ContextThe story of flamingos in Parma is more than a chronicle of petty crimes. It’s a tale of a community fighting for its symbols in times when even innocent gestures become targets. Parma, like many American suburbs, balances nostalgia for the past with a desire for renewal. The growing population of Cleveland, according to the 2024 census, offers hope for regional economic revival, but incidents like these remind communities of the challenges they face along this path.While Parma awaits the return of its flamingo, the city prepares for new battles—for safety, for unity, for the right to remain true to itself. “The flamingo will return,” DeGitter promises. “And we will be stronger.” For Avi and thousands of other Parma residents, these pink birds are not just statues but symbols of hope that no one can steal forever.

AKRON, Ohio — In a city that brought the world rubber tires and iconic dirigibles, the sky above Akron this week will serve as a canvas for a historic spectacle. On Tuesday, June 3, 2025, three Goodyear airships — Wingfoot One, Wingfoot Two, and Wingfoot Three — will converge in the Ohio sky to celebrate the 100th anniversary of the first branded zeppelin flight by the company. This rare gathering, last seen in 2018, is not only a celebration of aviation heritage but also a love letter to the city that breathes along with Goodyear. As pilots prepare for flights over downtown Akron and residents grab their cameras, this event reminds us: in an age of jet planes and drones, zeppelins still captivate the imagination. A Century in the Air Exactly one hundred years ago, on June 3, 1925, the zeppelin Pilgrim, the first branded Goodyear airship, ascended over Wingfoot Lake in Suffield Township, near Akron. This flight, marking the dawn of the advertising era in aviation, laid the foundation for a legacy that spanned wars, sports arenas, and Hollywood screens. Today, Wingfoot One, adorned with retro styling in silver and black in honor of Pilgrim, will lead its siblings — Wingfoot Two from Florida and Wingfoot Three from California — in a three-day “victory lap” over Akron. “This is more than just tire advertising,” says Joe Erb, senior pilot of Wingfoot One and a native of Northeast Ohio. “It’s a way to bring people together, to show them the world from a new perspective.” Founded in Akron in 1898, Goodyear made zeppelins its symbol from 1910 onward, when the company began producing rubber coatings for airships. From military dirigibles of World Wars I and II to the first live broadcast from the Rose Bowl in 1955, Goodyear airships have become a symbol of American ingenuity. Modern models, like Wingfoot One, are semi-rigid airships, 75 meters long, with an internal framework allowing them to maneuver at speeds up to 70 miles per hour and carry up to 12 passengers. “It’s not just nostalgia,” notes chief pilot Gerry Hissam, who has spent 28 years at the controls. “It’s an engineering marvel that still impresses.” Where and When to Watch The celebration, linked to Akron’s bicentennial, will begin on June 3 at 11:00 a.m. (weather permitting), when the three airships will take off from Wingfoot Lake State Park at 993 Goodyear Park Blvd, Mogadore. The best view will be from the park’s waterfront, where aviation enthusiasts and families will gather to capture the historic moment. Between 5:00 and 6:30 p.m., the airships will fly over Lock 3 (200 South Main St.), where Mayor Shama Malik will deliver his second city address. “It’s a symbol of Akron’s pride,” Malik said, whose office is coordinating the festivities. At 7:35 p.m., the airships will appear over Canal Park during the game between the Akron RubberDucks and the Chesapeake Baysox. The first 1,000 fans will receive commemorative anniversary T-shirts. On Wednesday, June 4, the airships will again fly over the city, starting at 10:00 a.m., covering downtown and eastern Akron. Although exact routes are not yet announced, Goodyear advises keeping an eye on the sky from open spaces such as parks or shoulders. “It’s like a treasure hunt,” laughs Hissam. “You hear their hum, and your heart stops.” Weather, as always, may cause adjustments. In 2018, rain delayed a similar flight, and in 2002, four Goodyear airships gathered together for the first time since the 1960s. “We depend on the wind and the sun,” explains Erb, a retired military pilot who compares formation flying to dancing. “But when everything lines up, it’s magic.” For those who miss the show, Goodyear plans to visit 100 cities in 2025, but Akron will remain the only place where all three airships will converge. A Flying Heritage For Akron, the city that grew up alongside Goodyear, zeppelins are more than just marketing tools. “Almost everyone here has a connection to the company,” says Hissam, recalling relatives who worked at Goodyear factories. “It’s our soul.” The museum in Wingfoot Lake Hangar preserves artifacts like photos of Pilgrim’s first flight and cabins of past models. In 1928, one zeppelin landed on the roof of a department store in downtown Akron, causing local newspapers to erupt with excitement. Today, Goodyear airships have appeared in movies such as “Sharm” and “A Star Is Born,” and have flown over 2,000 events, from Olympics to Super Bowls. But behind the festive mood lie challenges. While effective for advertising, zeppelins cost millions to maintain, and their role in the digital era sparks debate at Goodyear’s headquarters. “Drones are cheaper, but they don’t have a soul,” wrote a user on platform X (formerly Twitter), commenting on the anniversary. Adam Basara, a pilot with 12 years of experience, sees something more in airships: “They inspire. Someone will see us and want to invent something new.” Looking to the Sky As Akron prepares for the show, the community reflects on its history. From military Zeppelins patrolling convoys during World War II to passengers like Amelia Earhart climbing onboard, Goodyear created a legend that extends beyond tires. For Erb, who calls the flight over Akron “a journey home,” and for thousands of residents who will look skyward, these three days are a moment of unity. “We don’t just fly,” he says. “We remind people to dream.” So bring your cameras, find a good vantage point, and look up. In a city that taught the world how to fly, Goodyear zeppelins serve as a reminder: some dreams are lighter than air.

June 1, 2025, in the city of Broadview Heights (Ohio) a notable event took place, gathering hundreds of enthusiasts of Ukrainian art and culture — the spring concert of the Ukrainian dance ensemble Kashtan titled Culture in Motion. The event was held in the hall of Brecksville-Broadview Heights High School, where spectators had the opportunity to witness a vibrant embodiment of the Ukrainian spirit through music, song, and dance. The «Kashtan» ensemble has been an integral part of Cleveland’s and Ohio’s cultural life for over 30 years. From its founding in 1979 under the direction of Markian Komychak, the ensemble grew from a learning dance group at the Ukrainian Church of the Intercession to a true stage collective, gaining recognition not only in the USA but also abroad. Currently, artistic directors of «Kashtan» are Jonathan Heinal and Andrea Komychak Murale. The spring concert of 2025 was yet another testament to the high professionalism, energy, and devotion to Ukrainian culture that the ensemble upholds. The program featured both traditional folk dances and modern interpretations of Ukrainian choreographic motifs. Special attention was drawn to the craftsmanship of the youngest school participants, who confidently and passionately showcased their skills on the big stage. The highlight of the concert was performances by invited guests, including — prominent bandurist Maxym Malai, the Polish folk ensemble Piast – Polish Artistic Folk Song & Dance Ensemble, and Irish dancers Murphy Irish Dancers. Their participation gave the event an international flavor and once again confirmed: art unites peoples, opening doors to deeper understanding and mutual respect among cultures. Besides spectacular choreography, the concert performed an important mission — to preserve and pass on Ukrainian heritage to future generations. As organizers — the Ukrainian Cultural and Educational Association (UCAA) — emphasize, preserving the Ukrainian soul through song and dance is their main task. Thanks to such events, youth of the Ukrainian diaspora have the opportunity to deepen their understanding of their roots, learn the language, traditions, and history. «Kashtan», throughout its long history, has performed in Chicago, Pittsburgh, Philadelphia, Washington, New York, Detroit, and at international festivals, including Lviv, where the ensemble won the Grand Prix at the International Folklore Festival — the highest award for a foreign Ukrainian dance collective. Today, the ensemble continues to develop, nurturing new generations of dancers, some of whom have already become professional artists and teachers in leading companies in the USA and other countries. Each «Kashtan» concert is not just a performance, but an emotional journey to the heart of Ukraine, beating in the rhythm of dance, in the sounds of the bandura, in the diversity of embroidered shirts, and in the ringing voices of young artists. The spring concert Culture in Motion left warm memories and pride in Ukrainian heritage in the hearts of viewers. And as long as there are collectives like «Kashtan» in the USA, one can be confident: Ukrainian culture is not only preserved — it lives, develops, and inspires. The influence of Kashtan on cultural life Kashtan is not only a dance school or stage collective, but also a platform for talent development. Over the years, the ensemble has trained numerous professional dancers and teachers working in renowned groups in the USA and abroad. Their success attests to Kashtan’s dedication to preserving and promoting Ukrainian culture. The «Kashtan – Culture in Motion» concert was yet another proof that Ukrainian culture is alive and thriving, even far from the homeland. Thanks to the mastery of performers, community support, and tireless work of UCAA, Kashtan continues to inspire audiences and pass on the beauty of Ukrainian folk dance to new generations. This evening at Brecksville-Broadview Heights High School was an unforgettable celebration of music, dance, and cultural heritage that will remain in the hearts of all attendees for a long time.

CHICAGO — In a city where skyscrapers kiss the sky and the shores of Lake Michigan beckon with coolness, Chicago has secured its place among America's tourist jewels. According to a Tripadvisor survey published on May 27, 2025, the City of Winds ranked fifth among the best summer destinations in the USA, trailing only Las Vegas, New York, Myrtle Beach, and Ocean City. Over 2,800 travelers from the USA and five other countries, surveyed regarding summer plans from June 1 to August 31, recognized Chicago as a magnet for those seeking culture, flavor, and urban charm. In a year when the city welcomed a record 55 million visitors, Chicago is not just staying competitive — it is rewriting the rules of summer tourism. Why Chicago? Chicago, with its architectural masterpieces, culinary scene, and pulsating rhythm, has long ceased to be just an industrial hub. The Tripadvisor survey, reflecting the moods of both American and international travelers, emphasizes the city’s attractiveness for those wanting to combine city life with leisure. "Chicago is a city that has everything: world-class museums, deep-dish pizza, and jazz clubs that come alive after sunset," notes Sarah Nelson, a Tripadvisor analyst. The fifth place ranking — dominated by beach resorts and Vegas gaming tables — attests to Chicago’s versatility. The city charms with its diversity. Millennium Park, with its iconic “Cloud Gate” (or “The Bean,” as locals call it), attracts families and Instagram bloggers. Architecture tours along the Chicago River reveal the city’s history, where every skyscraper tells a story of ambition. The gastronomic scene, from legendary pizzerias like Lou Malnati’s to Michelin-starred restaurants such as Alinea, makes Chicago a haven for gourmets. “There’s an energy here that energizes you,” says Maria Gonzales, a tourist from Mexico planning to visit in July. “It’s not just a place; it’s a feeling.” Record Year and Global Competition Chicago is not just holding its own — it is setting records. According to Choose Chicago, in 2024, the city was visited by 55.2 million people, a 6.5% increase over the previous year. This jump is partly explained by recovery post-pandemic and aggressive marketing campaigns positioning Chicago as an all-year-round destination. Festivals such as Lollapalooza, drawing hundreds of thousands of music lovers each year, and the Chicago Air and Water Show, where fighter jets roar over the lake, add summer magnetism to the city. In the Tripadvisor ranking, Chicago outranked popular destinations like Honolulu and Nashville but lagged behind Florida’s beach havens, three of which made it into the top 10. Internationally, Cancun, Paris, and London led the list, but Chicago remains competitive due to accessibility — airfare from Europe to O’Hare is often cheaper than to New York, and hotels offer a wider range of prices. “Chicago gives you a big city at a price that doesn’t make your wallet tremble,” says a source in the city’s tourism industry. Challenges and Triumphs Behind the glamour of a tourist boom lie challenges. Like many large cities, Chicago struggles with safety issues in certain neighborhoods, which sometimes discourage travelers. In 2024, the crime rate decreased by 8% compared to the previous year, but incidents like the recent shooting in Akron remind of urban vulnerabilities. Mayor Brandon Johnson, actively promoting tourism, invests in community programs to make tourist zones like The Loop and Magnificent Mile safer. “We’re showing the world that Chicago is not just headlines — it’s hospitality,” he said at a recent press conference. Local residents, however, have mixed feelings. “Tourists are good for the economy, but you can’t move in downtown during summer,” complains Anna Kowalski, owner of a cafe in Wicker Park. On X (formerly Twitter), Chicagoans joke that “Millennium Park is now Disneyland for tourists,” but they acknowledge that the flow of visitors supports small businesses, especially after pandemic economic shocks. Looking to the Future Chicago does not plan to stop. Choose Chicago announced a campaign for 2025 focusing on lesser-known gems, such as the Pilsen neighborhood with its Mexican murals or jazz evenings in Bronzeville. The city is also preparing to revive events canceled due to the pandemic, notably the new Taste of Chicago 2.0 food festival, promising to be a hit in August. “We want people to see not only skyscrapers but also the soul of the city,” says Lynn Osmond, director of Choose Chicago. While Las Vegas entices with casinos and New York dazzles with Broadway lights, Chicago offers something unique: a place where culture, history, and flavor intertwine against the backdrop of a shimmering summer lake. The fifth place ranking on Tripadvisor is not just a number but a recognition that the City of Winds has become an integral part of the American travel dream. For those planning summer trips, Chicago whispers: come, and we will show you why we are unforgettable.

CLEVELAND, Ohio — In the halls of the Cleveland Museum of Art, where classical blends with contemporary, Japanese artist Takashi Murakami unfolded his colorful yet deeply disturbing narrative. His new exhibition, "Treading on the Rainbow's Tail," opened on May 25, 2025, and gathered over 100 works — from cartoonish flowers with blood on their petals to anatomical sculptures exposing bones and hearts. An updated version of the exhibition that debuted in Los Angeles, this show is not just a celebration of pop culture but a reflection on the traumas shaping societies and the art that mirrors them. Murakami, whose smiling flowers adorn Louis Vuitton bags and Major League Baseball merchandise, invites visitors to look behind the vibrant surface — into the darkness of Japan's collective memory. Art on the Edge of Joy and Pain Takashi Murakami, often dubbed "the Japanese Andy Warhol," has long captivated the world with his "superflat" aesthetic — glossy, cartoonish, but multilayered. In Cleveland, he goes beyond commercial gloss, offering works that balance childhood naivety and historical grief. "People think my art is light, popular," Murakami said in an interview with the Associated Press. "But that's my trap. I hide depth behind colors." This depth, according to curator Ed Shad of The Broad Museum in Los Angeles, lies in exploring traumas — from personal to national. The exhibition, running until September 7, guides visitors through three key traumas of Japan: the atomic bombings of Hiroshima and Nagasaki in 1945, the Tohoku earthquake and tsunami of 2011 that caused the Fukushima disaster, and the COVID-19 pandemic. While there are no direct images of these events, their echoes are felt in every piece. A wall covered with square portraits of crying flowers, bleeding or entering zombie-like trance, creates a rainbow effect that both enchants and terrifies. "These flowers — like us," Shad explains. "They smile, but bear scars." The sculpture "Pom and I," where Murakami and his dog are depicted half anatomically — with visible organs and bones, half as ordinary figures — is a meditation on duality. "It's me, torn between Japan and the West, between body and soul," said the artist. Insiders familiar with his work note that this piece reflects Murakami's personal experience in America, where he was perceived as an exotic "other," despite his global fame. Temple and Dragons: The Spiritual Dimension Before entering the main hall, visitors pass through a reconstruction of Yumedono — the octagonal structure of Horyu-ji Temple in Nara, symbolizing Buddhist enlightenment. Murakami, according to him, drew inspiration from the series “Shogun” (2024), which revitalized for Western audiences the samurai Japan. "I wanted people to feel the sacredness before entering my world," he explained. Inside this structure are four new paintings created between 2023 and 2025: "Blue Dragon of Kyoto," "Kyoto Millionaire Bird," "White Tiger of Kyoto," and "Black Tortoise of Kyoto." These mythic images, rendered in bright tones, reference Eastern cosmology but pulse with modern energy, as if blending ancient temples with neon-lit Tokyo streets. This spiritual framework contrasts with Murakami’s commercial fame, whose collaborations with Louis Vuitton, Kanye West, and Billie Eilish have earned him millions. But in Cleveland, he departs from the pop star image, reminding that his art is a dialogue with culture, not just merchandise. "He plays with capitalism but never lets it consume him," says a source close to the Los Angeles gallery scene. Trauma as a Mirror of Society Ed Shad, whose curatorial notes laid the foundation for understanding the exhibition, emphasizes its universality. "Murakami's portraits are not just about Japan. They are about how any society reacts to pain, how it heals wounds," he says. The atomic bombings left scars on Japanese psyche, Fukushima eroded trust in technology, and the pandemic exposed the fragility of globalization. Murakami's flowers, which laugh and cry, embody this duality: joy of existence alongside memories of loss. Visitors wandering through the halls feel this tension. "I came for the flowers but stayed for the emotions," says Emily Carter, a local teacher who visited on opening day. On X (formerly Twitter), users share impressions, calling the works "cartoons with soul" or "a rainbow that screams." Some criticize Murakami for commercializing pain, pointing to his collaborations with luxury brands. "Can art be sincere when it's selling bags for $5,000?" asks one commentator. Cleveland as a Stage The choice of Cleveland, an industrial city experiencing cultural revival, is no coincidence. The Museum of Art, with its collection from Rembrandt to Warhol, has long aimed to connect the global and the local. "Murakami fits perfectly: he speaks a universal language but makes us look at ourselves," says museum director Elizabeth Bolder. The exhibition, traveling from Los Angeles, has been adapted for Cleveland with additional new works, making it a unique event for the Midwest. For a city grappling with economic challenges, the exhibition is not only a cultural triumph but also an economic boost. Local officials estimate it could attract up to 50,000 visitors, generating millions for hotels, restaurants, and shops. "This is the moment Cleveland shines," says Mayor Justin Bibb, who personally welcomed Murakami at the opening. The Future of Murakami’s Art "Treading on the Rainbow's Tail" is not just a retrospective but also a statement about Murakami’s direction. At 63, he remains an relentless experimenter, combining anime, Buddhism, and capitalism in a way few can replicate. His new works, like the paintings of Kyoto, hint at a return to Japanese roots after decades of Western influence. "I want my art to be a bridge between East and West, between the past and the future," he says. As visitors wander through halls, passing crying flowers and mythic dragons, they confront a paradox: art that appears light demands profound effort — both from the creator and the audience. In a world where trauma multiplies and rainbows become rare, Murakami offers not answers but a space for reflection. In Cleveland, where his flowers bloom until September, this space becomes a sanctuary — and a challenge for all seeking meaning in chaos.

In May 2025, when the spirit of resistance floods the streets of Ukrainian cities, and the diaspora from New York to Sydney dons colorful shirts, the world celebrates Vyshyvanka Day — a holiday that has become an anthem of national pride, resilience, and love for Ukraine. This day, which falls every year on the third Thursday of May, is not just a tribute to traditional clothing but a powerful symbol of cultural heritage that unites Ukrainians in their fight for freedom and identity, especially in the context of the war with Russia. Origins of Vyshyvanka: from antiquity to modern times Vyshyvanka is not just clothing but a code of the nation, woven from threads of history. Its roots date back millennia, to the Trypillian culture, when geometric patterns on fabrics served not only as decoration but also as talismans that protected against evil. Each region of Ukraine embedded its own soul into the embroidery: red and black patterns of Poltava told of passion and struggle, delicate flowers of Podillia spoke of love for the land, and strict rhombuses of Polissya signified ancestral wisdom. Using only linen or hemp fabrics and natural dyes, master artisans for centuries transmitted the art of embroidery from generation to generation, preserving it as a sacred tradition. In the 19th century, vyshyvanka became a marker of national consciousness. During Polish and Russian occupations, when Ukrainian language and culture were suppressed, the embroidered shirt remained an act of silent resistance. “It was a way to say: we exist, we are alive,” notes Olena Skrypka, a historian from Kyiv National University. In the 20th century, despite Soviet repressions, vyshyvanka maintained its power, becoming a symbol for dissidents and independence fighters. Vyshyvanka Day: from student initiative to global celebration Vyshyvanka Day was born in 2006 in Chernivtsi thanks to student Lesya Voroniuk, who proposed dedicating one day to wearing traditional clothing. What started as a local action soon spread across Ukraine and then globally. Today, it is a celebration without an official status but with incredible power: from small villages to metropolises, from the Capitol in Washington to the Élysée Gardens in Paris, people wear vyshyvanky to express solidarity with Ukraine. In 2025, Vyshyvanka Day takes on special significance. Against the backdrop of ongoing war with Russia, which since 2014, and especially since 2022, has sought to destroy Ukrainian identity, vyshyvanka has become a symbol of resilience. “Each stitch is our response to the aggressor,” says Maria Koval, a vyshyvanka designer from Lviv whose works are worn across Europe and the USA. “It is not just fabric; it is our armor.” In cities affected by Russian shelling, such as Kharkiv or Zaporizhzhia, people wear vyshyvanky as a sign that culture is stronger than missiles. Love for Ukraine: unity across oceans Vyshyvanka Day is also a celebration of the diaspora, which maintains love for Ukraine thousands of kilometers from the homeland. In the USA, where over a million Ukrainians live, the holiday is celebrated grandly. In Chicago, where the Ukrainian community is one of the largest, parades in vyshyvanky take place on central squares, and in New York near the Ukrainian Institute of America, fairs with traditional shirts and embroidery workshops are organized. “For us, it’s a way to stay Ukrainian even if we were born here,” shares Anna Hrynyshyn, event organizer in Detroit, whose family emigrated after World War II. In 2025, support for Ukraine in the USA has reached new heights. According to insider information, American congressmen advocating for military and humanitarian aid to Kyiv plan to join the celebrations by wearing vyshyvanky as a symbol of solidarity. In cities from Los Angeles to Miami, Ukrainian communities organize charity evenings to raise funds for the Armed Forces of Ukraine and war-affected civilians. The global support is equally impressive. In Canada, Australia, Germany, and even Japan, Ukrainian diaspora communities and their allies organize flash mobs, concerts, and exhibitions dedicated to vyshyvanka. Last year in London, hundreds of people in embroidered shirts formed a living trident in Trafalgar Square, and organizers plan to repeat the event this May. “Vyshyvanka has become a global symbol of freedom,” says Oksana Levchuk, activist from Toronto. “It unites us all.” Resistance and heritage: vyshyvanka as a symbol of defiance In 2025, Vyshyvanka Day, as in previous years, reflects the spirit of Ukrainians in the war with Russia. Soldiers wear vyshyvanky under their body armor at the front, and volunteers embroider shirts for wounded fighters in the rear. “It reminds us what we are fighting for,” says Captain Oleksii Shevchuk from Dnipro. “Our culture is what Russia wants to destroy, but it will never defeat it.” The national heritage embodied in vyshyvanka has become a shield against Russification. In temporarily occupied regions such as Kherson or Melitopol, people risk their lives by wearing embroidered shirts as a sign of protest. In liberated cities like Irpin or Bucha, Vyshyvanka Day is planned to be celebrated with special grandeur this year to emphasize the victory of spirit over destruction. The future of vyshyvanka: from tradition to modernity Today, vyshyvanka experiences a renaissance. Contemporary designers like Vita Kin and Yulia Magdych combine traditional ornaments with fashionable cuts, making embroidered shirts popular on global runways. In 2025, a collection inspired by Ukrainian embroidery is planned to be showcased in Paris, and Ukrainian brands are opening new boutiques in New York. “Vyshyvanka is not archaic; it is eternity,” says Magdych, whose works have been worn by Hollywood stars. Vyshyvanka Day 2025 is not only a celebration but also a reminder: Ukraine is alive, its culture flourishes, and its people are unbreakable. From Kyiv’s boulevards to Brooklyn’s streets, from frontline trenches to world capitals, vyshyvanka unites millions of hearts. In a world ablaze with war and division, it remains a symbol of love, resilience, and hope — a thread connecting the past with the future and Ukraine with the entire world.

At a time when Ukraine continues to fight for its right to exist and freedom, thousands of miles from the front lines, in the heart of Middle America, music that transcends words was heard. Last weekend in Cleveland and Detroit, unique performances by the Ukrainian Bandurist Chorus took place — events that became a spiritual pilgrimage, an act of solidarity, and an artistic manifesto.Under the ceilings of a middle school in North Royalton (Ohio) and at the Warren Community Center (Michigan), evenings filled with the sound of the bandura — an instrument that has become a symbol of Ukrainian identity — unfolded. But the audience heard not just music. They witnessed something much greater: a ritual of national memory, artistic defiance, and humanitarian mission.The program included Cossack dumas, works by Ukrainian classics, modern compositions inspired by the heroic efforts of soldiers on the front lines. The stage shifted from deep sorrowful minor to uplifting patriotic chords. Each piece was accompanied by multimedia inserts — photos from the front, archival footage, and portraits of fallen heroes.A special highlight was the premiere of a song dedicated to medical workers and volunteers, written based on letters from the combat zone. The audience was moved to tears. They stood. Applauded standing ovations.The funds raised from both concerts will be directed toward humanitarian aid for injured soldiers, as well as supporting the Bandura Education Fund, which teaches a new generation of musicians from Ukraine and the diaspora. According to organizers, this is an investment in cultural resilience, which is no less important than weapons."This concert is about the fact that a nation cannot be erased as long as its song is heard," — said one of the veterans who spoke to the audience before the concert began.The concerts served as a vivid example of how the Ukrainian diaspora in the USA does not just observe the events at home but actively supports the country through culture, charity, and enlightenment. The hall was attended by American veterans, volunteers, and patrons who have supported Ukraine since the very first day of the full-scale invasion.While the world continues to grapple with crises — geopolitical, humanitarian, moral — these concerts reminded us: culture remains a reliable weapon in the fight for humanity. And as long as the strings of the bandura sound on stages around the world — Ukraine resonates. It lives. It fights.