June 1, 2025, in the city of Broadview Heights (Ohio) a notable event took place, gathering hundreds of enthusiasts of Ukrainian art and culture — the spring concert of the Ukrainian dance ensemble Kashtan titled Culture in Motion. The event was held in the hall of Brecksville-Broadview Heights High School, where spectators had the opportunity to witness a vibrant embodiment of the Ukrainian spirit through music, song, and dance.
The «Kashtan» ensemble has been an integral part of Cleveland’s and Ohio’s cultural life for over 30 years. From its founding in 1979 under the direction of Markian Komychak, the ensemble grew from a learning dance group at the Ukrainian Church of the Intercession to a true stage collective, gaining recognition not only in the USA but also abroad. Currently, artistic directors of «Kashtan» are Jonathan Heinal and Andrea Komychak Murale.
The spring concert of 2025 was yet another testament to the high professionalism, energy, and devotion to Ukrainian culture that the ensemble upholds. The program featured both traditional folk dances and modern interpretations of Ukrainian choreographic motifs. Special attention was drawn to the craftsmanship of the youngest school participants, who confidently and passionately showcased their skills on the big stage.
The highlight of the concert was performances by invited guests, including — prominent bandurist Maxym Malai, the Polish folk ensemble Piast – Polish Artistic Folk Song & Dance Ensemble, and Irish dancers Murphy Irish Dancers. Their participation gave the event an international flavor and once again confirmed: art unites peoples, opening doors to deeper understanding and mutual respect among cultures.
Besides spectacular choreography, the concert performed an important mission — to preserve and pass on Ukrainian heritage to future generations. As organizers — the Ukrainian Cultural and Educational Association (UCAA) — emphasize, preserving the Ukrainian soul through song and dance is their main task. Thanks to such events, youth of the Ukrainian diaspora have the opportunity to deepen their understanding of their roots, learn the language, traditions, and history.
«Kashtan», throughout its long history, has performed in Chicago, Pittsburgh, Philadelphia, Washington, New York, Detroit, and at international festivals, including Lviv, where the ensemble won the Grand Prix at the International Folklore Festival — the highest award for a foreign Ukrainian dance collective.
Today, the ensemble continues to develop, nurturing new generations of dancers, some of whom have already become professional artists and teachers in leading companies in the USA and other countries. Each «Kashtan» concert is not just a performance, but an emotional journey to the heart of Ukraine, beating in the rhythm of dance, in the sounds of the bandura, in the diversity of embroidered shirts, and in the ringing voices of young artists.
The spring concert Culture in Motion left warm memories and pride in Ukrainian heritage in the hearts of viewers. And as long as there are collectives like «Kashtan» in the USA, one can be confident: Ukrainian culture is not only preserved — it lives, develops, and inspires.
The influence of Kashtan on cultural life
Kashtan is not only a dance school or stage collective, but also a platform for talent development. Over the years, the ensemble has trained numerous professional dancers and teachers working in renowned groups in the USA and abroad. Their success attests to Kashtan’s dedication to preserving and promoting Ukrainian culture.
The «Kashtan – Culture in Motion» concert was yet another proof that Ukrainian culture is alive and thriving, even far from the homeland. Thanks to the mastery of performers, community support, and tireless work of UCAA, Kashtan continues to inspire audiences and pass on the beauty of Ukrainian folk dance to new generations. This evening at Brecksville-Broadview Heights High School was an unforgettable celebration of music, dance, and cultural heritage that will remain in the hearts of all attendees for a long time.
